文章摘要
论尼采的“游戏”美学
On Nietzsches Game Aesthetics
  
DOI:
中文关键词: 尼采  游戏  修辞  审美
英文关键词: Nietzsche  game  rhetoric  aesthetic
基金项目:
作者单位
谭善明 聊城大学 文学院山东 聊城 252059 
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中文摘要:
      生成的游戏、解释的游戏和永恒轮回的游戏,是理解尼采“游戏”美学的三个步骤。这种“游戏”美学启示我们:世界始终处于生成之流中,我们从来都是以审美的方式对世界不断重新解释和评价,我们不拥有实在和真理,只经历形式和修辞;永恒轮回的世界游戏带来了新也毁灭了新,既揭示了生命过程的非线性和无理性,又嘲弄了人生目的和意义的虚构性,但是世界需要在这种虚无中运转更新而永葆活力。从这种意义上说,审美冲动根本上是一种强大的权力意志,它创生世界,也创造虚无,它在生命与世界的嬉戏中成就最伟大的快乐,即艺术的快乐。
英文摘要:
      Generations game, explanations game, and eternal recurrences game are the three steps to understand Nietzsches game aesthetics, which enlightens us that the world has always been in the stream of generation, we constantly reinterpret and evaluate the world in the form of aesthetic, and we dont have reality and truth, but experience form and rhetoric; The world’s game of eternal recurrence brings the new, and meanwhile destroys it. This reveals the nonlinear and irrationality of life process, and mocks the fictionality of life purpose and meaning, but the world needs to be operated and updated in this kind of nothingness and retains its vitality. In this sense, aesthetic impulse is basically a strong will of power, which creates the world, and creates nothing. It creates the happiness of art, which is the greatest happiness and is the achievement of the play between life and the world.
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