文章摘要
论唐代乐舞诗与梁朝乐舞诗的差异
Comparison of Music and Dance Poems in theLiang Dynasty and Those in the Tang Dynasty
  
DOI:
中文关键词: 乐舞诗  舞艺  道德教化  娱情  言志抒情
英文关键词: poems of dance and music  choreography  morality education  amusement  expression of emotion and aspiration
基金项目:惠州学院校立重点学科“文艺学”的成果之一
作者单位
杨林夕 惠州学院 中文系广东 惠州 516007 
摘要点击次数: 1093
全文下载次数: 1257
中文摘要:
      唐前乐舞诗最多的是梁朝,为唐代乐舞诗提供了有益的经验和借鉴。但与唐朝尤其是中唐乐舞诗相较,梁朝乐舞诗在描写对象、功能和写作目的三个方面与唐代均有较大的差异:即从梁朝乐舞诗的单纯描摹舞姿舞容的咏舞女变为唐朝的注重乐舞效果的赞舞艺,从梁朝的审美娱乐功能发展为唐朝的陶情、悟道、政治教化等多重功能,从描摹外物到抒情言志。实际上表现了两者一为娱乐一为礼乐的不同。
英文摘要:
      Before the Tang Dynasty, the Liang Dynasty produces the largest number of music and dance poems, which provides beneficial experiences and references for those in the Tang Dynasty. Compared with music and dance poems of the Tang Dynasty, especially with those of the Middle Tang Dynasty, music and dance poems in the Liang Dynasty differ greatly in description subject, function, and writing purpose. Firstly, music and dance poems in the Liang Dynasty changes from mere description of the dancing posture and looks of the performers to paying much attention to the choreography in the Tang Dynasty; secondly, it changes from aesthetic and entertainment function in the Liang Dynasty to the multiple functions, e.g. amusement, enlightenment, and political education in the Tang Dynasty; lastly, the former depicts the external objects, while the latter expresses emotion and aspiration. In a word, music and dance poems in the Liang Dynasty are for the purpose of entertainment, while those in the Tang Dynasty are for that of rites and music.
查看全文   查看/发表评论  下载PDF阅读器
关闭