文章摘要
东昌府年画艺术中的意象造型
On the Imagery Modeling of Dongchangfu Spring Festival Paintings Art
  
DOI:
中文关键词: 东昌府  年画造型  审美意象
英文关键词: Dongchangfu  Spring Festival paintings modeling  aesthetic imagery
基金项目:国家社会科学基金艺术学项目(13CB114);山东大学自主创新基金项目 (IFW12047)
作者单位
刘燕1,2, 宋方昊1,2 1.山东大学 艺术学院2.山东大学 现代工业设计研究所山东 济南 250061 
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中文摘要:
      年画艺术是民间美术的宝贵财富,体现出传统农耕文明的意象造型特点。以东昌府年画为例,解析年画图形的内涵,从形制、色彩和技艺等方面分析了年画艺术的造型特点;阐释东昌府年画的神灵附会、图形象征、移花接木等意象造型方法;论述东昌府年画造型的尚吉思想、乐生精神和向往自由的民俗审美取向,为年画艺术理论研究提供有益的参考。
英文摘要:
      Spring Festival paintings art is the precious wealth of folk art, reflecting the imagery characteristics of traditional farming civilization. Using Dongchangfu Spring Festival paintings as an example, the connotation of graphic paintings and modeling features from the shape, color, skills and other aspects have been analyzed in this paper. In addition, the imagery modeling methods of the gods attached, graphic symbol, graft and transplantation of Dongchangfu paintings have been interpreted. The aesthetic orientation of folk art of the auspicious Shang Ji thought, willing to germinal spirit, and yearning for freedom of Dongchangfu paintings are discussed, which provides useful references for the theoretical study of paintings arts.
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