文章摘要
《高祖还乡》的陌生化解读
The Defamiliarization Interpretation of Gao Zus Return of the Native
  
DOI:
中文关键词: 陌生化  《高祖还乡》  解读
英文关键词: Defamiliarization  Gao Zus Return of the Native  interpretation
基金项目:
作者单位
夏艳萍 湖南工程学院 外国语学院湖南 湘潭 411104 
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中文摘要:
      “陌生化”意味着“使其陌生”,是俄国形式主义诗学的核心概念,它昭显了俄国形式主义的纯艺术观。以“陌生化”为基点,俄国形式主义构建了一个自主性的文学理论体系。在《高祖还乡》中,睢景臣通过陌生化的艺术处理,对传统的根深蒂固的文化正统和帝王权威进行了成功的颠覆,使接受主体摆脱了机械化的定势的感知模式,以一种全新的眼光和视角来体验、观照和审视历史。
英文摘要:
      As a core concept of poetics in Russian Formalism, “defamiliarization” means “making it strange”, which shows the purely artistic view of Russian Formalism. Taking “defamiliarization” as the base point, Russian Formalism has built an autonomously literary theory system. In Gao Zus Return of the Native, Ju Jingchen, by means of artistic treatment of defamiliarization, successfully overthrew the traditionally deeprooted cultural orthodox and the emperors authority, made the reception subjects get rid of mechanical and rigid perceptual modes, and experienced, observed and examined the history with a new visual angle and perspective.
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