文章摘要
论《特别响,非常近》的图像叙事
On Image Narrative of Jonathan Safran Foers Fiction Extremely Loud and Incredibly Close
  
DOI:
中文关键词: 《特别响,非常近》  图像  图像叙事  互文性
英文关键词: Extremely Loud and Incredibly Close  images  image narrative  intertextuality
基金项目:
作者单位
王维倩 江苏理工学院 外国语学院江苏 常州 213001 
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中文摘要:
      乔纳森·萨福兰·弗尔小说《特别响,非常近》因其大量插入图像而引发广泛的争议。然而,作为语言或文字外的另一叙事媒介,图像之于小说有其积极的建构意义。小说中的图像呈现单幅图像叙事模式,亦表现出系列图像叙事模式,他们共同构成图像叙事的有机组成部分。图像与文本之间形成互文关系,图像与社会历史形成更大的互文关系。故图像叙事具有文字叙事无法比拟的审美效果及深度寓意,成为后“9·11”时代一种特定的基本语言与表述方式。
英文摘要:
      Extremely Loud and Incredibly Close, written by Jonathan Safran Foer, is a post-9/11 novel, which causes widespread controversy due to large numbers of images inserted. However, as another medium of narrative besides language, images obviously play the role in constructing the meanings in fiction. Images in the novel present both single image narrative pattern and narrative pattern of a series of images, constituting an organic part of the image narrative. Images and the text are intertextual, and they also form a larger inter-textual relationship with the society and history. So the image narrative has the aesthetic effect and the depth of thought that the literal narrative cannot compare with. More importantly, it becomes the basic language and special way of expression in the post-9/11era.
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